Showing posts with label xmas advent calendar. Show all posts
Showing posts with label xmas advent calendar. Show all posts

Wednesday, December 24, 2025

Toast & Kent's Xmas (2025) Advent Calendar: Day 24 - Gingerbread Miracle

2021, Michael M Scott (It's Christmas, Carol) -- download

Why do so many of these movies take place in locations where snow covered mountains can be seen in the background?

And that's all she wrote folks. I might have to admit defeat this year. Beyond Ted Cooper's entry, I didn't find much in the way of Xmas Spirit this year. I will persevere and finish off a few in my hopper, as well as Netflix, as Xmas Leftovers, but... overall, a big meh year.

I think I killed that desire to even watch the few left in my hopper. Need a violent full of guns movie as a chaser.

The Draw: I needed at least one gingerbread / baking related movie, so this was it. 

HERstory: We begin with some montage-y gingerbread cookie dough massaging - flour everything, roll them out thin, gently cut them out -- baking with love. We also begin with some pretty impressive stock footage of blowing snow, wind-swept winter streets and winter at its best/worst. Then we follow it up with HER jogging past mounds of fake snow & cotton batting towards our requisite large family house on probably what is a July day.

Interestingly enough she states its Dec 3, as if someone writing the script pointed out to the writing room that Hallmarkies never give enough time for people plan & execute their Xmas Event plans and/or growing affections.

She is Maya (Merritt Patterson, Chateau Christmas), an LA lawyer returned home to her parents garage (but seriously, its a converted detached apartment) after a divorce and work collapse. In the kitchen, we get some family recap: Mom has started an event planning business and one of her early events will be the Gingerbread Challenge, which no is not a Gingerbread House Baking Contest but basically an obstacle course involving already baked gingerbread houses and is raising money for something or other. This year's sponsor is Casillas Panadería, local Mexican bakery and home of the famous gingerbread cookies that grant wishes. Luis (Jorge Montesi, Chupacabra vs the Alamo), the owner, is selling the place because his wife recently passed and his heart isn't in it any longer. Luis doesn't have any children to hand the long running family business down to, so sale it is. Maya runs her freelance law work out of his office; basically sits at a laptop in a crowded storeroom, but really, she could do that anywhere.

His nephew Alejandro (Jon-Michael Ecker, Fearless Heart), or Alex, is a Big City Lawyer in NYC who doesn't really like his job and has bad luck keeping girlfriends because he's never available. Luis and his wife raised Alex after some unmentioned Dead Parents situation. We also get introduced to his love of cooking when he dumps the bland takeout his ex gives him and makes, from scratch, shrimp tacos instead. His latest work assignment is being ignored by the Boss, so he might as well go home for Xmas.

Of note, everyone pronounces the Mexican names with strong proper enunciation, including the white folks of this very Rockies adjacent, near Denver PST. I doubt this movie would get greenlit in current American society, as it definitely highlights its Mexican immigrants in a positive light. Inclusivity is a naughty word these days down south.

Baiting the border guards with social media content that could get you banned?

First up, getting the Xmas Tree, where the two bump into each other  - literally. Its a cheerful bump involving chasing the family dog. Hers not his. His old high school feelings are still strong and he wants in on helping sell the bakery, a little peeved at himself that he wasn't asked.

Next up, Decorating the Tree. Luis and Alex talk about Maya and Aunt Julia. And that's when its decided that Alejandro will take over baking at the panadería for the holiday season, since he is home and so Luis can focus on the sale and the Xmas Event he is sponsoring. You'd think Luis would want to actually do the baking for his event.

Are we sure they are related? The only thing said is that Luis and Julia, "Took Alex in...."

I am realizing a lot of Hallmarkies are based on expositional scenes, instead of story telling. From the tree trimming we go to Maya and her bestie and her sister talking about how she screwed up Alex & her getting together when they were kids. She faked a French Boyfriend and he thought she wasn't interested. That is followed by Alex and the kid working for Luis talking about being poor and wanting a hockey scholarship with the foreshadowing of Alex Baked a Magic (Hockey) Cookie. You see, the tradition is that the cookies must represent something important to the people they are given too. And the we stick in a side-story so Maya's BFF can have someone to crush on too. Except it feels tacked on, like pretty much all the side-elements of the movie do.

Montage Scene. Sis is taking photos of the bakery for the sales website. To be honest, the bakery really looks good, well decorated and the set designers obviously had some fav bakeries they based it on. It just looks authentic and cozy. That is followed by another Montage Scene where Alex nixes every single potential buyer. And it happens over a week! Not just a day! Dec 4th starting date is moving along quite well. Buuuut the potential buyer shows up -- Jacque Hubert (IMDB calls him Jake, Patch May, Home and Away), a well known baker from Denver where he has a patisserie. He's handsome and has ideas and Alex doesn't like him. And cuz Maya thinks he's pretty. Jacque flirts with Maya.

Fuck; if they say Jacques properly, why do they pronounce Hubert as "H-Yoo Bert" instead of "Hoo-bear" ?

Ugh; losing steam on recapping this as its just a long long series of barely connected expositional pieces. The coming Holiday Games, Bestie and her Potential BF, Alex is better at cooking & baking than lawyer-ing. Add in some complication / jealousy as Maya smiles brightly at Hyu-Bert and he legitimately flirts and asks her out, while Alex just pouts in the background, and I was just bored.

They have the Reindeer Holiday Games but never quite explained how this was raising money for charity considering there were THREE contestants and they were our main characters plus Hyu-Bert -- its not like their "entry fees" would have contributed much. Besides, its just running an obstacle course while holding a pre-baked gingerbread house one-handed; given the high chance of EVERYONE dropping theirs, not sure of the "laugh oh well all fell down" fun to be had.

Eventually Alex has a sour encounter with his boss so he decides to stay and run the bakery, which should have been the primary plot focus but was done in a sort of background off-camera manner. And Maya realizes her potential new job is going to be worse than the LA job she quit, so decides to stay and work out a house she will buy. And at the last second, when we think Hyu-Bert will be an issue because he wants the bakery, his heart grows three sizes and he drops the need for a new bakery. Everyone is making a good choice for everyone else! Alex and Maya realize they are both staying in the PST and getting the jobs they wanted all along and also realize that despite a decade of miscommunication (and failed marriages) they still like each other. Kiss kiss.

Yeah, I was bored, and late in publishing. Fully lost steam.

The Formulae: There was a PST and a Main Coming Home from the Big City. There was Crush History and Dead Parents (we don't even get the story behind Alex's lack of parents) and a Holiday Event. Of course, there was Holiday Baking. There was a very minor complication which was resolved far too amicably for Hallmarkies. There was a Side-story Romance and lots of Xmas Traditions.

Unformulae: So, nobody has to dash their dreams in order to stay in the PST to find love; everyone decided to stay on their own to all follow their own dreams. There were no Dick BF/Ex's. Both of the mains are of the Big City Type Job, neither doing something low-key or hokey... even the bakery is well-established and doing well. That said, there is no Last Minute Desperation to Save the Bakery. There was not any Emotional Turmoil at all in this movie, which is why it may have been so... boring.

True Calling? A key plot point are the Magic Gingerbread Cookies and they go very far to explain how Alex had the magic as well: Maya's red briefcase cookie is connected to Alex, the hockey cookie gets the kid his needed scholarship. So, yes.

The Rewind: Nuttin, but I did re-watch the opening stock footage to see if it was real or CGI.

The Regulars: Merritt Patterson is really the only Hallmarkie staple.

How does it Hallmark? For the ideals of family traditions and supporting the community, it worked well. The magic between the two was basically nil; Maya smiled more brightly at Jacques than ever at Alex.

How does it movie? Yawn.

How Does It Snow? Lots of digital snow imposed on shots of structures that had a bit of cotton battling, and other than that opening stock footage, no snow... at all. Not even a mention of it.

Tuesday, December 23, 2025

Toast & Kent's Xmas (2025) Advent Calendar - Day 23: Window Wonderland

The Draw: Vintage Hallmark. DC Arrowverse star as lead. Paul Campbell. And because I had to get one more Hallmarkie in for Toasty.

HERstory: 

The head window dresser for the big New York department store, McGuire's, has left to a competitor, so they're without decorator. Sloan has been working at the store for 2 years, while Jake, glib Jake, snarky Jake, aggravating Jake has been with the company two months. The open position could be one of theirs if they impress Finch -- their stressed-out, tiny mustachioed boss -- with their pitches, which he's betting they will not. They have 95 years of tradition to live up to.

Sloan is super keen to get the job, but her boyfriend, high powered  Wall Street banking douche (is there any other kind?) Kenneth (Kenny) is pouting because Sloan will not be able to go to Aspen over the holidays if she gets the new job.  But he sees that she wants it, so he tells her he'll talk to old man Maguire's kid at the club and the job is hers. She declines and wants it on her own merit.

Jake poses as a sleepy artists model in the evening so he can paint in the studio after. The next morning, they're to present Tiny Mustache with their pitches for a window display. Sloan gets the south window with her pitch, and Jake gets the North window with his sketch that he just cranked out on a napkin 7 minutes before the pitch was due. They're told that each one getting window is now the competition and the one to bring in the most customers between now and Christmas(!?!? How on earth is that measurable? Are the cashiers taking a survey? What's going on here).Sloan complains that she worked all night on her pitch and Jake just cranked his out, to which Tiny Mustache says he would have got both windows if his second napkin design wasn't all smeared with frosting.

Rita (Naomi Judd) is the bitchy bathroom attendant just keepin' it real with Sloan, but of course she gets along great with smarmy Jake. Turns out she's Sloan's mom. Both Sloan and Jake get along with Mac, the window cleaner who they both chat up in the mornings. 

Sloan's window is a NY skyline with a gold cutout of the Statue of Liberty with a Santa hat on it standing in cotton batting. Jake's is Mr. and Mrs. Claus watching TV in a very green room with some pithy signage. Nobody really likes Sloan, and she's told to work on hers or lose her window to Jake. After work Sloan winds up at the art studio where Jake is once again modelling. Apparently Tiny Mustache told her to go and attend.  As she sketches his eyes, she starts to smile (in small part because Jake keeps mugging at her). After session, he shows her the painting he's been working on, but notes he can't finish it. He also notes his real desire is to be an artist, but he's struggling in NY and everyone back in his Maine small town is taking bets on when he's coming back, tail between his legs.

At dinner with her mom and Uncle Jimmy? Bea talks up how nice, funny and handsome Jake is... not like that ugly Kenny.
Their next window displays are Yoga Santa on a surfboard against a red background, while Jake's is a wood panelled "Santa's Man Cave". Their displays are somehow getting a great write-up in the local paper (you know, the local New York City paper) and sales are indeed up, so good work you two. Tiny Moustache says someone is definitely getting the promotion.

And then we learn that Jake actually living in the store. Bea tells Sloan she should invite Kenneth to their family "Christmas Eve Eve" event,but he's busy, and she then suggests Jake. Next morning Jake and Sloan chat up Mac and Jake starts suggesting Mac might want to meet a nice lady... like Bea... to which Sloan immediately tries to downplay and says to Mac, just leave it to me... without telling them Bea is her mom. The next window displays are Surfing Santa and eco-conscious Santa...both, so, so, so basic and not at all impressive.  

After leaving the building for the evening, Jake does his usual sneak-back-in routine to live at the store for another night, and Sloan follows him in. The jig is up. But Sloan promises not to tell Tiny Moustache (even though it's grounds for termination and possibly illegal), but because of the alarm settings they're trapped inside until morning, meaning that Sloan is missing Kenny's office Christmas party, but Jake says he'll show her a fun time in a closed apartment store. And it's bonding time, leading to a brutal honesty exchange. Sloan confesses she is a facade, she is a window display and confesses Bea is her mom, and she's embarrassed that she's embarrassed of her mom, while Jake feels shame that he's broke and his family doesn't believe in him. They both boost each other and inspire each other to a new level of store displaying. Sloan invites him to their Christmas Eve Eve event. Then they dance for some reason and he almost kisses her, but then security comes by (wait, now there's security? Where've they been this whole time? And there's no alarm on the rooftop door) and they hide behind the cosmetics counter until morning.

The Times comes by and takes pictures of them...absolutely terrible pictures. At dinner with Kenny, Sloan apologizes for missing the party, but Kenny said he feels sorry that she had to be trapped in the store with "that guy" and she lets slip that he's been slipping there. Kenny immediately wants to call his dad and tell old man Maguire, to get Jake fired and Sloan the job. The next day Mac lets slip that Jake has the security alarm codes and they didn't spend the night together by force, it was Jake's choice. Complication! She thinks he's trying to sabotage her, and oblivious that he just likes her. That's Kenny thinking, Sloan.

They toil through the night, and the next morning, Jake and Rita and Sloan are all chatting outside the back of the store. Kenneth rolls up in his limo and offers to take Sloan to Aspen one last time, but she declines. Then Kenny calls Rita over and drops some change in her mug of hot coffee. Sloan admonishes him, and then admits that Rita is her mom. Kenneth doesn't understand her confession, and it's hard to tell if Kenny is just being shallow and doesn't like that his girlfiend's mom is a bathroom attendant, or that she was lying to him. Probably the former.  

Jake shows Sloan his final pitch, and she thinks he's deliberately throwing the competition. He admits that he is, that it just means more to Sloan than him. At Christmas Eve Eve, Jake has showed up, surprising Sloan, and even more of a surprise, Jake has brought Mac as his plus one. And Mac and Rita admit they've been sweet on each other for quite a while. It's tur-dunkin' time (a turkey friend in Dunkin Donuts batter) and bun tossin' time. Sloan sees Jake having fun, and it's evident she realizes that Kenneth would never, ever, ever fit in this scene.

The Christmas Eve window unveiling ... Jake's display is just cookies and milk and a Santa hat. Minimalism. "Jake," Tiny Moustache says incredulously, "we're a department store, excess is what we do". Sloan's is a live display, a Christmas dinner scene with actors, that turns into a family food fight, but not the fun and playful display from her family gathering the night before. It gets uncomfortably brutal. People are repulsed. And Tiny Mustache fires them both! Oops. Now not only is Jake jobless, but homeless as well.

Sloan finds Jake at the art studio, apologizes to him, explains that she lost herself somewhere along the way, and asks him if they want to break back into the store and fix the mess. Along the way Kenny pulls up in his limo, with flowers (because Colorado is snowed in) and they have it out. Kenny, "I'm willing to overlook those people," and Sloan sniffs out that Kenny was on a date with the perfume counter girl. Yeah, this bullshit isn't going to work. Yeah, fuck that guy.

They get the display set up, but also set off the alarm trying to leave and they get arrested. But then a limo pulls up, and they think Kenny, first, but then the cuffs are taken off. Turns out, it's Old Man McGuire... Mac! Their friend the window washer is rich, and owns the department store, and loves these crazy kids and digs Sloan's mom. Their new window displays is a "classy" dinner table setup, and a living room display with Sloan and Jake as live models and Jake's painting and they make out.

The Formulae:Well, Sloan's got a dick boyfriend, that's classic holiday romance stuff. There's a sort of Christmas deadline/promotion angle the characters' journey as well. And of course there's the starting off as rivals only to fall for each other. And so many establishing shots of New York City. Honestly, I was expecting for a vintage Hallmark movie that there would be more tropes.

Unformulae: No Christmas tree shopping, no cookie baking, no snowball fights, no skating, no cotton batting as snow, no dead parents/spouse, no child and/or precocious niece/nephew, no hot chocolate or cider, no Christmas market, no perfect small town, no big city girl needing to get back to her roots.... close to nada formulae.

True Calling? All the window displays were fucking atrocious. Have the filmmakers and set decorators never, like, ever seen a Christmas window displays before? These are all...how do you say... tacky as fuck. They're like 2000s era hipster ironic, meaning in 2013 they were out of date already.  They're embarrassing. Sloan should be embarrassed, Jake should be embarrassed, the set designer and director and everyone involved should be embarrassed. There's not a single display they show us that is even on the cusp of being "good".

The Rewind: There were quite a few funny lines, a lot of wee chuckles here (upon receiving a window display, Jake starts into an acceptance speech ending with "...and of course I wouldn't be sitting here today without...this chair"). Paul Campbell's Jake is 100% styled after Jeff Winger on Community, in look and attitude. That's not the only Community riff, composer James Jandrisch (whom we had to rewind to find out right back to the beginning because he's not credited in the end credits) seems to be riffing on Ludwig Goransson's Community soundtrack work with its whistles and keyboard instrumentals.

The Regulars: Paul Campbell is a Hallmark hunk and one of the best of them. One of the three wisest one might even say. Always enjoy him and he's so... youthful here. Chyler Leigh, who played Kara's sister Alex in the Supergirl TV series (and across the Arrow verse), I was certain I had seen in a Hallmarkie before, but could not find anything in her IMDB profile, so this is it. Cameron Matheson was a Hallmark hunk until he jumped ship for Great American Family, the right wing a-hole alternative to Hallmark (I liked him in the Christmas Club fwiw) but he does too good a job being the dick BF here, and I don't like him at all. Naomi Judd isn't really the well known Judd in the acting realm, but she's got this, 1999's "A Christmas Romance" and 2014's "An Evergreen Christmas" (Before you get excited, Toasty, it's unrelated to the Christmas in Evergreen series and, in fact, the main character's name is "Evergreen"...let that sink in). Christie Liang plays the perfume counter girl who flirts with Kenny... she's been a bunch of these, but most before 2020 (she's also an Arrowverse veteran, having played Diggle's sister(?) in Arrow).

How does it Hallmark? Hey, I was kinda charmed. I thought Campbell was fun, Leigh didn't do that whisper talking thing she's prone to doing when she wants to be dramatic much (only once, I think), and the film felt situationally unique. Like I noted, not a lot of tropes in this one. It's not a top tier, but it's certainly upper middle.

How does it movie? It's...no. It's not. Let's not fool ourselves here. For a minute there, Hallmark seemed to flirt with "do we want to try, like...really try" but the reality is, no, they didn't want to try that hard. The only reason this seems like it's got a bigger, better budget is because they got to shoot in a department store in Vancouver at night, and that gave them sets that felt tangible and real.  But then you get to those window displays and, oof ba boof, you can tell there was no budget for anything left and the store didn't let them raid their basement. As well, I really wanted this to be ... sexier. It would have been so much better if it had the danger of sex percolating around it.  Like what if they *had* slept together at the store when they were trapped there, but Jake had lied about them being trapped... oooh, there's a real complication. Even when Kenny is busted for having been with the perfume counter girl, it was "just drinks", but you know it wasn't, but does the movie know that it wasn't?

How Does It Snow?  The only snow is the cotton batting in the window displays. Otherwise it rains, raining that Vancouver, erm, I mean, New York rain.


Monday, December 22, 2025

Toast & Kent's Xmas (2025) Advent Calendar: Day 22 - An Alpine Holiday

2025, Lucie Guest (Jingle Bell Run) -- download

Funny, it was original called An Alpine Christmas. I wonder if, after the fact, they decided to tie it to Norwegian Holiday and strip out most of the Xmas stuff... this one is definitely more "a movie that takes place around Xmas" than an Xmas movie.

Hallmarkie Fatigue is settling in and I realize I might just have to (gasp!) actually prepare for this come next year -- as in, actually research and only watch movies that scratch the itch, instead of just downloading / clicking a bunch of random ones that check some boxes. But what am I searching for? Well, either completely bonkers weird, or adherence to a particular sub-sub-genre of the Hallmarkie that checks all the PST Xmas boxes on my Bingo card. I know I said I would relax my demands on the movies and just allow them to be but... as the fatigue is settling in, I am unable.

This was not an Xmas movie. 

The Draw: Partially to give another go at "Hallmarkie in ______", as this one is set and actually shot in the French Alps... well, for the key outdoor shots where a mountain or quite Alp village was required. The rest of the interior stuff was done in Sofia, Bulgaria. But but, that was the draw.

HERstory: This is not primarily an example of the "Main Travels to PST" trope, and the romance is actually the secondary element to the movie. It is more about the reacquainting of two somewhat estranged sisters: Faith (Ashley Williams, How I Met Your Mother) and Kelly (Lacy J Mailey, Supernatural). They are drawn together near Xmas because their grandmother, who raised them, recently passed away. Faith is a free spirit, never settling down, who wants Kelly to join her in Florida for the holiday season, while Kelly is a stayed-at-home type, still in the apartment they were raised in. 

Early in the tense interactions they are interrupted by a call from a lawyer -- they are beckoned to a meeting where they find a request from their grandmother --- travel together to Mont Blanc in the French Alps, to follow the trail grandmother and her fiancé took ages ago. Its all planned and paid for, and a guide will be waiting for them when the plane leaves. They have to do before Xmas Eve.

Initially the differences between the two sisters dominates, as Faith is more than happy to run away to France at the drop of a hat, while Kelly has work work stuff. But, of course, at the last moment she recollects how much her grandmother's wishes meant to her and chases after the Uber.

In France they meet Frédéric (Julien Marlon Samani, Tiny Beautiful Things), the schmoozy self-confident guide who wastes no time hitting on Kelly. I should probably mention that there are some years between the sisters, and Kelly is the young-enough-for-romantic-entanglement sister while Faith has her already established romantic troubles -- she's been proposed to by a longtime boyfriend, but ran away instead of saying Yes. But nobody knows this yet.

Given that Xmas plays very little in this movie, I have no desire to count the beats / tropes. Let's just say the journey is fraught with sister trauma but slowly draws out the attraction between Kelly and Frédéric. The drama between the two sisters takes the front seat in the funicular ride.

Yawn.

I found it very weird to traversing a new romance while reminiscing about one that ended in a proposal. If anything, they should have jumped the shark and have Faith's BF show up on the mountain to pop her the question a second time. But no, it was more just about instilling a sense of adventure in Kelly so she would take a chance on love she just met.

In the end, the two sisters loudly air their dirty laundry prompting Frédéric a number of times, until it comes to a head and the trio makes it to the top of the mountain, to see the spot where their grandmother and grandfather began their married life together. It sets the tone, and once back down in the lovely village of Chamonix, Kelly tells Frédéric she'd love to take a chance, and Faith decides to tell her BF the Yes Word.

One year later, Faith is preggers and ... I guess Frédéric is living in NYC with Kelly? Oh, and its Xmas again, not that it mattered.

The Formulae: Xmas barely took part in this movie. But I guess the tropes exist outside of the Hallmarkie (a label I attached purely to Xmas Time Hallmark [and type] movies) so, there is "We Just Met But I Love You", there is "I Am Not Quite Sure I Want to Commit", there are Dead Parents, Frédéric was not pursuing the life he really wanted to pursue (becoming a musician), there was some Hot Chocolate to be had, but that was more related to being on the side of a ski resort mountain than anything. Are cozy fires in a snowbound shack common enough to be a trope?

Unformulae: Its more about sister re-bonding than about the romance. There is no real PST and it might start in NYC but its not really there.

True Calling? Once they changed the name to "holiday", yes.

The Rewind: No rewind, but a few pauses at the actual shots of the tourist spots sitting on the top of peaks around Mont Blanc -- they are truly incredible and give me butterflies just imagining how they were constructed. Also, a chuckle at the memory from a photographer's review of Hallmark movies, "YOU CAN'T TAKE A SELFIE WITH THAT CAMERA !" as Kelly takes tons of selfies with a high end digital SLR that does not have an appropriate lens. 

The Regulars: I was here for Ashley Williams, who is Royalty. Laci J Mailey is a staple Canadian actor but not in Hallmarkies. Samani hasn't done any, but he was in Holidate. 

How does it Hallmark? I am not sure I can properly judge the movie on being a Hallmark movie, as the sisterly drama may be a staple out there, but it is mos def not a good Hallmarkie as Xmas barely plays out at all.

How does it movie? No.

How Does It Snow? In town, it could be October, but when on the mountain side, it was proper PROPER snow, as in trudging in blowing white out conditions.

Sunday, December 21, 2025

Toast & Kent's Xmas (2025) Advent Calendar - Day 21: Finding Mr. Christmas Season 2

2025 - Hallmark Channel/W Network (8/8 episodes)

Finding Mr. Christmas is a weekly limited series that takes 10 hunky men, puts them in a house together for a week, drops them into a series of ludicrous, sometimes emasculating challenges, all of which is somehow supposed to be a fair and accurate means to judge whether they have the goods to be a Hallmark leading man. Because it worked out so well for them last time.

I can count on one hand the number of reality competitions shows I actively watch with fingers left to spare, and Finding Mr. Christmas is one of them, simply because it is so goddamn ridiculous. And it's only made more ridiculous by the fact that last year they so clearly chose perhaps the worst of their 10 candidates, resulting in one of the worst movies Hallmark has ever produced (and that's saying something, given how many inarguably bad films they churn out in a given year).

Last year's competition ran for 8 weeks, ending with the winner being announced, and days later the film starring that winner, Ezra Moreland, the dead-eyed booty-shorts bartender-turned-marine-turned-model assaulted our eyes and ears with a tone deaf, monosyllabic performance in a Hallmark holiday romance movie, Happy Howlidays. Dude seems like a nice enough guy, but there was no evidence during 8 episodes of the reality show that he had any acting competency. And this year he not only didn't lead a Hallmark film, he was scuttled into a bit part and outshone by a pre-teen performer in his scenes.

Given what a trainwreck last year's competition was, how could I not want to watch another season? To watch as the show so obviously twists its narrative in the edit to shape its decisions to drum out the people of colour or gay performers. The purpose of the show is not legitimately interested in finding the next superstar for the Network, because there's a means in which people are cast into roles in films, and a competition show just isn't it. No, instead it's just cheap and easy television filler for the network, a series that plays with beefy men's emotions, getting their hopes up that they can have a new chapter in life while pretty much embarrassing them in the process. 

I truly believe the network's purple suits had hope that with season one  the show would cultivate a dedicated following of female viewers who would be so thoroughly invested in the hunks that it would be a breeding ground for the network to put tnot just the winner but also runners up into Hallmark productions and easily have eyes on them. This was certainly not the case, and so there's a definite cynicism to season two, a definite bite of "oh, this is just absurdism for content's sake", and most of these men involved are not acutely aware of this.


This season's 10 men were:

Jake - he was a kicker in the NFL
Drake - he's a golden retriever in human form
Logan - he's a fantasy nerd, but he's buff?
Gabe - uh, he's Black Ezra... super handsome, dead eyed, no acting talent
Robbie - he's a veteran of the New York theatre scene, both acting and directing...and the gay one
Davey - he's a model, and a dad, and apparently once a Chris Hemsworth stand-in
Marcus - he's a model and...no other distinguishing characteristics
Craig - he thinks he's funny, and also thinks he can rap
Rustin - he plays music
Angel - he's an angel in human form. A beautiful, kind-hearted man with a gorgeous smile, even more gorgeous hair, a ton of charisma, and an accent so thick you can slice it off like cheese. He's also the most accomplished actor in the season, perhaps next to Robbie.

Each episode the men compete in a "Festive Face-off" which reveals next to nothing about their acting ability, but maybe, possibly, ever so slightly reveals a little of their character as a person? Hallmark can't have, like, shallow egocentric vainglorious bigots on their network, right? That's what "Great American Family" channel is for.

Following the Festive Face-off is the "Star Quality Challenge", which should hopefully show off the acting ability of these men in situations that would be probable on a Hallmark movie, often with a Hallmark celeb as scene partner. Other times, it's just about taking pictures, which is where the models obviously get a chance to shine brighter over their acting counterparts.

The "Festive Face-off" winner(s) then get an advantage over the other contestants, sometimes it's a big deal, like when it allows them to watch the other contestants perform before it's their turn, or in one case where the winner got immunity from elimination and had the choice to keep it for themselves or give it to one of the other men. But sometimes the advantage is just something stupid like choosing the order in which they perform, or which reindeer the other men get to be in a photo shoot.

I think this season really attempted to showcase acting more, but those Festive Face-offs where they were trying to run up a hill on a soaped-up slip and slide, or where they were trying to navigate a Christmas-themed obstacle course without making any noise, proved absolutely nothing, as entertaining as they were.

The most ludicrous part of the show is before and between the challenges where the men sit in various locations around the house or estate and have to engage with one another off-script, but obviously prompted by the producers about what they should be doing or saying, and it's soooo clear that none of these guys have any improv training. It should be part of the competition, how believable they can be in these prompted moments, holding empty cups and pretending to bond with these other guys.

I'm not going to break down each episode (you're welcome), but the key thing to note is that, for the most part, the show has done a decent job of ...eventually... eliminating the weakest players. There have been absurd wins and equally absurd eliminations (and absurd edits and overdubs to explain the absurd decisions being made), but the only outright error was in eliminating Robbie, who won many of the Star Quality challenges because he's an experienced actor and legitimately knows what he's doing. He got eliminated primarily because he didn't take control of a scene and got steamrolled by one of the other actors. He wasn't the worst actor of the day, but he's gay and you just know that Hallmark isn't going to choose a gay man as the winner of their "find our next Hallmark hunk" competition show. Even if Jonathan Bennett, the host of this very same competition show is a gay man.

And like last year, where one of the finalists had been a cast member of Hamilton for five years and lost to Ezra, you just know the show is looking for reasons to eliminate the persons of colour. Here it's Gabe, Marcus and Angel. Gabe was an easy one, because he kept freezing or blowing his takes. Marcus' acting was not great and getting fourth place is a bit of a shock. That Angel, beautiful Angel, with his Venezuelan accent that trips him up a little bit, made it to the final, is both shocking but also maybe a sign that this whole competition isn't completely rigged, because he's clearly the most charismatic of the men they assembled and probably the best actor in spite of the accent.

It's interesting to note that first episode announces that they have the chance to win "a lead role in a Hallmark holiday movie" to "a leading role in a Hallmark movie". The word choice is key, because it's the difference of being the male romantic lead of one of their Christmas romances, to being like a family member or best friend in an ensemble cast for a "spring themed" or "fall themed" movie, which are not nearly as high profile. The spectre of Ezra Moreland looms large. They gambled big last season and it was an embarrassing loss.

But at the same time, there was something so attractive and so dangerously alluring about the competition leading directly into a new Christmas movie that it seems such a shame not to repeat it. But, I imagine, that if you're a Hallmark leading man or leading lady, it must be pretty rough to be paired up or even compared against a "competition winner". Seriously, Hallmark is not exactly known for its quality acting, but the stars of the channel are talented performers who have had careers that predate Hallmark movies, so to put them in the same light as a competition winner sort of devalues the "Hallmark leading man" status, and so perhaps putting the winner of the competition through their paces in smaller roles in smaller vehicles is maybe the right thing to do.

The finale does away with the Festive Faceoff and instead is a three-part acting challenge where the finalists (Craig, Rustin and sweet Angel of mercy) get two take at three different connecting scenes ending with a kiss with Erin Krakow. Craig does decent in some scenes, pretty good in others, and kind of rushes another... and his kisses with Erin grossed me out (it's like he was trying to conceal her lips with his). Rustin I would say was the most uneven of the contestants, but when he was hitting, he was really, really hitting with a charm offensive. Angel was consistant the whole way but his inability to improvise naturally was evident.

In the end Craig is victorious. If it wasn't obvious, Angel was clearly my favourite. Just an absolute charm machine who would liven up any Hallmark movie in pretty much any role, but it would have to be tailored a bit to him. Craig was a ... weird choice, but the show seemed, basically by episode 5, clearly setting him up for the win with JB and cohost Melissa Peterman praising him extensively for his sense of humour and acting ability (which maybe wasn't quite as evident to the viewing audience).

At least he's... better than Ezra.

*micdrop*

---

Moments of note:

- Twice, Craig, who wins this damn thing, decides he's going to rap. Once because he's prompted by the host to do so, and the other because one of the Star Quality challenges was a talent show. Craig, lets be blunt, can rap, but not well. It's like Craig's understanding of rap started, and stopped at Vanilla Ice. Also Craig's modelling idol (as his resting face is Vanilla Ice duck lips), and his dancing idol (since his on-stage movement when performing seemed to be Vanilla Ice-coded) and maybe even his acting idol (Go Ninja, Go Ninja, Go!). If it was a bit, he really needed to play into it more, but it seemed like he genuinely believes he can rap and that he's talented at it. Also, the show hilariously would cut to Marcus and Gabe for their reactions whenever Craig would "rap".

- In the same talent show competition, Robbie decided he would try stand-up comedy for the first time, and calling his material weak sauce would be insulting to the weak sauces out there. It wound up being a roast of Jonathan Bennett to which it would cut to Jonathan forceably cracking up off stage (he was the only one).

- In the Star Quality challenge where he gets eliminated, Davey (and the other remaining men) are acting against the luminous Ashley Williams. It's a picnic scene, and it's about flirting and connection. On the picnic table is a nice spread of food, and Davey, an stunningly handsome man with muscles for days, can not stop eating grapes in the scene...just grape after grape after grape, big bulbous green grapes which he awkwardly pop into his mouth before he starts chewing. Never a more justified send-home after a catastrophic performance. But also, all those muscles need fuel, so clearly the man's gotta be constantly eating.

- One of the Star Quality challenges had the men having to act against Alison Sweeney, but on horseback. Many of these guys had never been on horses before. At one point Craig is about to go behind the horse and it gives him a little warning. That was almost a very bad elimination for Craig.

- In the penultimate episode, the Festive Face-off finds the remaining four men facing off against... their mothers. Their challenge was to write their moms a letter and then their moms are revealed and they had to read their letters to them. Tears flowed, and you saw both genuine softness and heart. It was pretty sweet, but to what end? It literally had no bearing on the competition. 

Saturday, December 20, 2025

Toast & Kent's Xmas (2025) Advent Calendar: Day 20 - The 12 Days of Christmas Eve

2022, Dustin Rikert (Next Stop, Christmas) -- download

I didn't mean to follow a movie directed by Rikert with another movie by Rikert, this time for the Lifetime channel, which showed in its [lack of] budget; its terribly terribly low budget. There is no way Kelsey Grammer cost that much. And this movie is a stinker, despite gathering itself together in the final act, once Brian Conway (Kelsey Grammer, tossed salads & scrambled eggs) starts bending to the will of Psycho Santa and becoming a better person. 

Since I am not recapping the movie, as we generally don't do such for the Loopty posts, I have to say a few things about the movie. I must have uttered, out loud, "WTF !!" at least half a dozen times. The movie has so many record-scratch, head-scratching moments of dumbfounding weird choices. 

And no, this is not a remake of a 2004 loopty movie with the same name.

How did the Loop Begin?
Our main character, Scrooge analog, Brian Conway, owner of a "family business" electronic store chain, drives off a bridge, on Xmas eve, while avoiding an escaped reindeer. He "wakes up" in a cozy room talking to Santa who says, "Yep yer dead," but offers him 12 do-overs in order to learn The Real Meaning of Xmas. Conway doesn't want to die, so he accepts, but its not like he really has a choice. Or does he? Santa does gesture upwards when talking about the After Life so there's at least that choice? Go to Heaven now or drop back down to NYC and fight to make money?

What was the main character's first reaction to the Loop?
Selfishness. Annoyance and ... well, instant death. On his way out of his office building, distracted by this repeating morning, he slips on ice and cracks his skull open, and poof, he's back in Santa's chair. One loop wasted. Also, dark!!

WHY did the main character get put into the Loop? Can someone else be brought into the Loop?
Because he's a horrible person who is horrible to his daughter & granddaughter, runs his company terribly and is terrible to everyone he meets. "You have until the end of the day to write a proper proposal, even if you have to work through the night," he says on Xmas Eve. Santa is either offering him a chance to set things right, or vindictive. I go with the latter.

No, no one else can be brought into the loop. Santa only has it out for Brian.

How long is this time Loop? What resets it? Can you force the reset?
Its as long as he lives through it, because, and hold onto your suspenders for this one --- if Santa finds Brian screwing up whatever misguided attempt he is making at "improving as a person", Santa just kills Brian. Kicked off a balcony by a dog, electrocuted, crushed by a chandelier, sledding accident, etc. Santa is a MURDEROUS PSYCHO. And yes, as seen in one loop, Brian can reset himself by swan diving off penthouse balcony. Seriously, WTF.

How long does the main character stay in the Loop? Does it have any affect on them, their personality, their outlook?
He gets 12 loops. He uses them all up. Does it affect his personality? Of course it does, cuz if Brian doesn't figger this shit out by the 12th loop, he dies, for real, for good. He's desperate. BUT the movie does improve as Brian improves. But it takes him a while, as these self-improvement loops usually do. 

What about the other people in the Loop? Are they aware? Can they become aware?  Does anything happen if they become aware?
No, nobody is aware, and the movie doesn't care. But for a toss-away reference to time loops in the second loop, Brian doesn't care if people know or not. He's in a Santa Magic Time Loop of his own making, so that's all consuming for him. And he fucks up so so many times.

What does the main character think about the other people in the Loop? Are they real? Do they matter?
Yes, they matter. Well, they matter once  people start mattering in general. Being a somewhat Scrooge-ish man, he really doesn't care about people at the beginning.

Most memorable event in a Loop? Most surprising event during a Loop?
Its a toss up between the third loop where Brian assumes he has an easy fix, which involves just giving people random items he bought at his own store. And he invites homeless rando's to his Xmas Event. That goes along painfully until Santa off's him. The surprising bit comes in the number of times that Brian seems to be figuring things out and then with a single response to his daughter Michelle, he undoes all his Good Will and Santa <insert finger across the throat gesture>. That happens at least three loops and is just ... terrible writing? 

How does this stack up in the subgenre?
Terribly. But also, in a small wee bit, a smidgen of a way... interestingly? I mean, when was the last time you heard of Santa murdering people as impetus for a Feel Good Xmas Movie?

Friday, December 19, 2025

Toast & Kent's Xmas (2025) Advent Calendar - Day 19: Silent Night

2021, d. Camille Griffin - Tubi

It seems to me that in creating a Christmas movie, the point is to make something that will make people want to watch it at Christmas time, to get into the festive season, to fill one's self with holiday feels, and to do it again the next year.

I can't imagine anyone watching Silent Night and thinking it a part of annual tradition.

With a quite wonderful ensemble cast, including Kiera Knightly, Matthew Goode, Lucy Punch, Kirby Howell Baptiste, Annabelle Wallis, Lily-Rose Depp, Sope Dirisu and Roman Griffin Davis (the young star of Jojo Rabbit), this pretends in its outset to be a holiday gathering of friends that promises some laughs, good times, and drama, as all ensemble films about holiday gatherings might.

What starts as weird statements, odd turns of phrases, and curious anecdotes soon reveals that a toxic gas cloud is slowly enveloping the earth, and that in the UK, the government has issued its citizens the Exit Pill, that will allow them to pass on in a quick and painless manner, sparing them from the more slow and brutal death that the gas will provide.

And so the gathering is not simply a holiday feast, but also an event for the dearest of friends to gather one last time, to speak truth and offer forgiveness and to share in each other's love one last time.

But, this isn't going to be a simple silent night. Not everyone is part of the "inner circle". Some are significant others who don't have the history and connection and are left on the outside, and some, like Art, are children who refuse to accept their fate and are angry and want to fight.

This is a deftly woven tale, with some genuinely funny moments as well as some darkly funny moments, balanced with some juicy drama built out of the vow of honesty, and some gut-wrenching intensity as the story peeks here and there into the outside world.

The ending is just as bleak as you would expect, with an aspect of sweetness and beauty to it all, but it's the aching release after 90 minutes of anticipation. There should be no joy to this world, but there's still little moments that crack the bleakness, stop it from being so dire.

I don't know who would want to watch this every Christmas, as it didn't make me feel terribly festive. That said, it's a remarkable little film, an emotional rollercoaster that's surprisingly much more evocative than I was expecting.

[not to be confused with this Silent Night]

Thursday, December 18, 2025

Toast & Kent's Xmas (2025) Advent Calendar: Day 18 - Next Stop, Christmas

2021, Dustin Rikert (The Finnish Line) -- download

Whoops, this one's late!

I remember Lyndsy Fonseca from her days in the Canadian TV show Nikita, spin-off of the classic movie La Femme Nikita, which was definitely a That Guy movie. But, for me, she will always be the chirpy waitress in Agent Carter. And this movie kicked off her career in Hallmarkies!

The Draw: Fonseca (those eyes; #SWOON) and Time Travel ! I am always up for time travel.

HERstory: Dr. Angie Reynolds (Lyndsy Fonseca, Agent Carter) is a work work work doctor in NY, but really, when aren't doctors thus. But she's getting some well needed time off, as in not working through the holidays like she usually does, but instead of going home to her PST like everyone expects her to do, she just wants to head to Yonkers and hide. Christmas Magic has something else in mind.

The establisher brings up the fact that she was once engaged to Plastic SportsReporter (Eric Freeman, Katy Keene) but turned him down. Her Work BFF says she made a mistake, says he's hot -- I just see a Beardy Weirdy Ken Doll. But Ange and Work BFF bump into Angie's Hometown BFF Ben (Chandler Massey, A '90s Christmas), a guy she lost contact with ages ago. She says it was him, but we aren't convinced. She begs off and the Work BFF heads to the Hometown BFF's party while Angie heads to Penn Stn to catch the train to Yonkers.

A loud teller at Penn beckons her over and instantly we know something magical is going to happen here. Sitting at the kiosk is Doc Brown and, yeah, something is up, especially since he's dressed all old timey. He sells her a "Holiday Special Ticket" which looks like it came from the same design company that made Willy Wonka's gold tickets. She doesn't catch on.

On the train, after she nods off briefly, she awakens to see Plastic SportsReporter sitting across from her, but a younger, less beardy version. And her coat is different, and her hair is different. And its 2011, ten years earlier. And the train is different! Apparently in 2011 you could catch an old timey train to Connecticut.

This old timey steam engine becomes a prominent thing as if the production crew was very very happy they got to use it.

Angie ducks out of her seat to catch her breath and finds Conductor Brown (Christopher Lloyd, Back to the Future) sitting in the dining car, and he only kind of pretends to not know what is going on. She states emphatically that she does not want to go home, does not want to be with Plastic SportsReporter and asks for the train to turn around. He asks for her ticket and she sees half of it faded out, like that is supposed to be the gold standard (pun intended) of how people can demand magic time travelling trains should work. "Fine fine," she says, "I will figure out what you need me to do before Xmas Eve in order to go home to 2021." Angie doesn't seem all that bent out of shape by the idea that Xmas Magic is real. It all strikes her as just a fun challenge.

So, first challenge -- say Yes to Plastic... OK, let's call him by name, Tyler. But first, we have to meet everyone. Dad picks them up at the station, and he is not in Arizona (forgot to mention earlier; her parents are broken up, Dad moved to AZ). Sis and husband have their first child Henrik. Mom (Lea Thompson, Back to the Future; ohhhh it wasn't just the train they snagged), with the artfully placed dab of flour dust on her face, is just happy everyone is home. And we hear about Aunt Myrt, the town rich lady whom everyone considers family. Everyone wants a rich aunt. And Boomer the dog is alive.

First up, TREE HUNTING ! Of course, its the tree lot where BFF Ben works as a Santa with a weird gangster Santa voice. He and Tyler lock eyes -- RIVALRY. You can see, instantly and obviously, that Ben loves Angie and he's been friend-zoned most of his life... let's not use that term, considering its distinct connection to the incel mindset. Ben is mos def in love with Angie, and they are perfect together, the banter being On Point, but no one has taken the next step. Ben seems to be just pining. 

But wait,  there is a reason for all this...

After a long day of train rides and tree hunting, Angie nods off on the sofa and BING, she's back on the train. She argues with Conductor Brown about what's going on, he obfuscates and the train arrives again. When Angie steps off, there is a magic bloop and she's at Ben's Santa shop, no explanation of how she went from her mom's sofa to here but for.... Xmas Magic! There's no train anymore, just the tree lot.

Fonseca is having a ball with the physical comedy of playing this confused but enthusiastic young lady. Its incredibly corny and hokey but she's constantly gesturing wildly. I don't know why, but I found it funny and endearing. Probably the eyes.

So, this is where the friendship comes into play. Rather than just blunder through this magical time travel event, she actually tells Ben what is going on, immediately, over breakfast (remember, its the next morning, magically) and he is, of course, confused and worried. But she has plans, plans to show him how she is time travelling and how she has to fix .... something. Cuz that's how time travel magic works. Fix something, and then you can go home.

That evening, Ben comes over for Gingerbread House making, mainly for the benefit of the kid, but also so... Ben can choke on a gumdrop and Ange can go, "SEE ! SEE ! I told you I knew the future, and I still saved your life just like I did when this originally happened!" Tyler is more and more noticing the two's connections, but Ange is just waiting for tonight to come, the night when 10 years prior (or now) Tyler proposed, and she said no.

Exceeeept, this time Tyler is even more work work work than she remembered, mainly because her hanging more with Ben is allowing him to have more time with his phone, and he accepted a job offer. That night is not about proposals but about him being distracted by work. 

Of note, Angie is also noticing the disconnect between her parents. Even ten years ago (or now) they had been drifting, which eventually leads to the break up. She needs to find out why and does lots of poking and prying. Mom's playing dumb. And we are getting a side plot about sis not being able to get pregnant. All of this is meant to hint that Angie from 2011 was so distracted by medical school that she was missing all the things going on in other family member's lives.

For a fluffy Hallmarkie, this one wants more complications than most.

Ben is going to be invited over for decorating, but Ange still needs to get Tyler in the proposing mindset, so she arranges a fake-GF for Ben through Aunt Myrt's granddaughter, a bubbly vacuous nice girl who is more than enthusiastic to play the role, which is kind of weird, and Ben plays along though he is less than enthusiastic about it. 

It kind of works? Tyler does propose, but... back on the train, Angie voices her frustration that she only has half a ticket. Ben is not jazzed by all this. Angie's next attempt is to repair the relationship she had always assumed she had with her sister, but was too distracted to notice she was... too distracted. Angie has a lot of misconceptions about the past for a girl who obviously spent all her time avoiding it. That doesn't work. Then finally, she hits on the real deal -- make sure her parents reignite the spark and don't break up eight years later! She talks to Aunt Myrt, professes a need to recreate the night of their first meeting at Aunt Myrt's first annual Xmas Party. It works, Mom in a hot pink 35 year old dress dazzles Dad and ... fireplace relit. Buuuut Angie is still in 2011, and Conductor Brown is not helping, and reminds her time is running out.

Then sis gives Angie something that she should have had given to her many many years ago, before this repeat 2011 -- a note from Ben that was supposed to be hidden inside a Secret Santa gift from him. A note professing his love and asking to move their friendship to the next level. She never responded, he assumed it was not what she wanted, and just left it at that, while still pining. But reading the note, Angie realizes what is going on and ... with an incredibly thin stretch of emotional development, realizes she has loved Ben all along, all her life. She tosses the ring back in Tyler's face, who is more than happy to catch his flight to Barcelona (a soccer thing) and.... the gold ticket is full. Buuuuut before she can confess everything to Ben face to face, the train is beckoning and Conductor Brown says, "Its now or never...." She does not want to live 10 years of her life over again, so she calls Ben, tells him she loves him and says, "Meet me on Xmas Eve at Fancy Resto and 10pm!" Back in 2021, that will just be later that day.

Exceeeept, Angie is called in and work work works (saving lives) through the deadline. She grabs a fancy green dress from her locker (she has fancy dresses in her work locker?!?!?) and runs to the resto to find --- it closing. Its Xmas Eve lady, can we just go home? But Ben calls from a corner table. But this is a new Ben, a Ben who she confessed love to 10 years ago and is now in a long term relationship with her and .... well, at least they let the last ten years of New History flood back into her brain (does that hurt?) before he proposes himself. Kiss kiss, very happy ending.

Exceeeept, time travel gaff? Why doesn't Ben remember she had time travelled? If she gets to remember it, why doesn't he? He should know that the woman in front of him right now just got back from 2011... oh never mind, its a Hallmarkie.

The Formulae: Despite being a time travel focused movie, it still gets in all the requisite Xmas stuff. There is Ben's tree lot, and decorating of trees, and an Xmas Eve Deadline, and hot chocolate, and decorating of trees and gingerbread houses, and a tree lighting in the town square, and an Xmas dance event (no red dress though, but Mom's hot pink number) and a Dick BF.

Unformulae: Its thoroughly about time travel hijinx and was clearly elevator-pitching, "We snagged two Back to the Future stars, so let's capture the same vibe!"

True Calling? Technically, the stop she was trying to make is "ignore Xmas" and while Xmas is all around them (do they feel it in their fingers, in their toes) the Magic is not about recreating Xmas, but more about the whole tight-knit-family deal. So, not really. 

The Rewind: It wasn't so much as a rewind but a loud chuckle at the, "Go ahead Henrik, you can put the first ornament on the tree..." as he reaches out with a red bulb to place it on a very obviously already decorated tree.

The Regulars: Fonseca went on to make four more of these movies over the next four years --- hope she is in line to become new Hallmarkie Royalty. Might have to give this year's entry a shot. Chandler Massey has done a few including this one. 

How does it Hallmark? Pretty decently. While it was very obvious that Ben was pining for the fjords, the banter between the two really nailed it on "best friends" but her "I love you!" realization was not sold to me.

How does it movie? Made for TV Time Travel Hijinx movie maybe?

How Does It Snow? OMG, where do I start. They went sooooo over budget on the fake snow here. There were soooo many scenes of full snow fall, snow everywhere, and all of it fake. Combinations of soap flakes and cotton batting everywhere!! And the digital snow! Someone must have invented the digital equivalent of a snow blowing machine because every fly over shot of the old timey train had EVERYTHING blanked in a dusting of snow, like the aerosol can stuff my mom blanketed our living room with every year when I was a kid. And Angie's family home with its snow covered roof and decorations and banks of snow, all added in post!

Wednesday, December 17, 2025

Toast & Kent's Xmas (2025) Advent Calendar - Day 17: The Preacher's Wife

1996, d. Penny Marshall - Disney+

The Preacher's Wife is, at least on paper, the perfect remake. It takes a classic and perhaps even beloved film starring one of the brightest and most charismatic stars of its era, and brings it to a modern setting, adapted wholly to its environment and its characters, and stars one of the brightest and most charismatic stars of its era. If you're ever going to think "who's a good substitute for Cary Grant?", "Denzel Washington" is absolutely the right answer.

The thing about The Preacher's Wife is that the role Washington plays -- the angel Dudley -- may share the same name and vocation as the role played by Grant almost fifty years earlier in The Bishop's Wife, but they are not the same character. Just for starters, Washington's Dudley used to be human, and apparently not that all that long ago (possibly within the 20th century). He's been in the queue for an assignment on Earth for decades apparently and has finally been given a shot, to which he is absolutely elated. Grant's Dudley has been on assignment for millennia, apparently, he's seen it all and has an omnipotence that Washington's character doesn't. 

These (and other) differences aren't trivial, they shape the roles they play quite differently, and there's really no mistaking them for the same character. The same can be said for the rest of the players in the film. The titular Bishop and his wife are Henry and Julia, as are the titular Preacher and his wife, but that's where the similarities end.

The Preacher's Wife doesn't just redo what was done before beat by beat, note by note, it rebuilds the story and characters from the ground up. 

Where Bishop Henry had already moved on from his troubled parish and was having difficulties negotiating the building of a new place of worship, here the Reverend Henry (Courtney B. Vance, Final Destination 5) is still very much in his parish, and a core part of his community. But his troubles are that he cannot do enough to stop the troubles his community is having. The local youth shelter has closed down, the church is in financial straights while still well attended, the local orphanage has closed and Henry's son's best friend is being moved to be housed elsewhere, and a local youth he's helped before has been falsely accused of armed robbery. All these things, as well as just supporting the sick and elderly and destitute in his community, weigh on the Reverend, and these troubles wind up isolating him from Julia (Whitney Houston, The Bodyguard) and his 6-year-old son Jeremiah (Justin Pierre Edmund, in an absolutely adorable but so not saccharine or precocious performance).

Unlike Julia in The Bishop's Wife, here, naturally, the role has been bolstered to put Houston in the spotlight, and, of course, get her to use her greatest talent. There is a lot of Houston singing here, largely gospel, but a sequence of Dudley, as Henry's behest, taking Julia out dancing leads to Julia meeting an old friend (played by Lionel Richie) and goading her into performing a soulful, romantic ballad, which she of course nails, and sends Dudley swooning.  It's their return from this event that both sparks their attraction, but also fuels Henry's jealousy, both in a way that was never quite as present or potent in the original.

Henry here is being tempted away from his parish, his community by real estate mogul Joe Hamilton ("Than man is so oily you can fry chicken on his smile") as played by Gregory Hines (Wolfen). Hamilton wants to gentrify the neighborhood and upscale the church, with Reverend Henry becoming a broadcast-worthy preacher. As other members of the community start to fall under Hamilton's sway, so too does Henry, much to Julia's dismay.

Here, Julia doesn't want to just be Henry's wife, but his partner. Most of her input is subtle, punching up the choir and helping with distributing alms. But she has ideas, ideas that Henry doesn't even have time to hear in order to dismiss them. He's put her on the back burner, and it's the crux of the whole film... sort of.

And this is what I mean by The Preacher's Wife being the perfect remake on paper. It rebuilds the story, the characters, the world and it feels so rich and alive, and yet it also repeats so many of the problems of the original when it most certainly could have improved upon them. The biggest issue is about focus and perspective. Whose story is this? Dudley's? Julia's? Henry's? Jeremiah is our narrator, so is it his? This lack of focus once again makes it tough for the story to ever really click. Where Henry in the original was very much the third lead of the film, he's pretty much the primary here, but this means Dudley winds up disappearing for stretches, and used inefficiently.

Both films lack a strong central lesson that Dudley is trying to teach Henry... or maybe it's just that Dudley is a terrible teacher. Dudley is just there to help, but he should be helping Henry help himself, and in both films, too much is left to Dudley to directly intervene. Just as in The Bishop's Wife, here the reconciliation between Henry and Julia is kind of just one moment and doesn't feel big enough to hand-wave away the problems they were having. There's not enough grown-ups having conversations saying how they really feel and understanding each other to feel truly satisfying.

Also in both films, the romance, if you can call it that, between Dudley and Julia, is barely a thing. It's more of a thing in The Preacher's Wife (Julia tells her mom she's just window shopping, to which her mom says "Well, don't go shopping with money in your pocket! And you better not be putting anything in the layaway plan, either!" The incomparable Jennifer Lewis, everyone! Amazing in this film. She's also only 6 year older than Whitney, playing her mother...tsk tsk). 

The Preacher's Wife, I think, is a more engaging film than The Bishops Wife, but only by a narrow margin. They're complimentary in their own way, like they're in a shared universe where angels are sent to Earth to help, and these two angels just happen to have similar missions but in two very different communities and with very different people. Where I don't quite click with The Preacher's Wife is its increased focus of faith and devotion and worship. Gospel isn't really my thing, and, quite frankly Whiney's singing never was either. Since both are given such prominence, it's really the detractor for me when comparing the two. One's mileage may vary greatly on that front.

Tuesday, December 16, 2025

Toast & Kent's XMas (2025) Advent Calendar: Day 16 - Champagne Problems

2025, Mark Steven Johnson (Ghost Rider) -- Netflix

Ghost Rider? Huh.

The Draw: Budget. But also, because, back when we started rearing this beast I started with a Netflix take on the Hallmarkie, Holiday in the Wild followed by The Knight before Christmas. Both were part of Netflix's earlier forays into Hallmarkie territory but with the budgets of Netflix behind them. Eventually that allure faded for the Netflix-ian Purple Suits and they went down the more traditional Xmas romcom path. Remember, even without the trope-laden structure of a Hallmarkie, there have always been Xmas romcoms, but they always feel distinctly different than these. This year, Netflix seemed to add a few back into their roster.

That said, its not like Netflix actually produces these movies, they are just the distributers, but there strikes me as a distinction when the production companies get the go ahead because they know it will end up on Netflix, and construct with that in mind.

HERstory: We actually begin with the story of Dom Perignon, the monk not the expensive champagne, and how he "accidentally" discovered the bubbles. Then we almost immediately switch to the Big City with Sydney Price (Minka Kelly, Titans), a work work work woman from The Roth Group who gives an impressive presentation on how TRG can acquire floundering champagne producer Château Cassell, in France. Sydney impresses her boss so much, he sends her to Paris to meet with the company, who will also be hearing three other proposals.

Sydney is all about work but promises her little sister that she will enjoy at least one night, and thus builds an itinerary for speed-running Paris, all the places marked, with times. Except she has one gap -- a good bookstore to pickup something for her sister. The concierge, who have always been the magical figures in movies centered around hotels, suggests a quaint little place called Les Etoiles which is magic unto itself. Unfortunately, no its not a real Parisian bookstore but the movie is actually shot in Paris, as opposed to Vancouver. And in the bookstore she runs into the handsome helpful Henri (Tom Wozniczka, Slow Horses). He doesn't work at the bookstore.

They banter. They flirt. He's better at it than she is, after all he's Parisian. She has a terrible plan to see all the tourist spots and he offers to show her the real Paris, a better view of Paris (nudge nudge wink wink, say no more). And its Xmas in Paris, so all the wow's. They have Xmas Market crepes and mulled wine and macarons (he pronounces it correctly) and they end up at the Paris Ferris wheel for the more heartfelt all alone with a spectacular view conversation. It ends with, "I had a great life today..." and a proper non-Hallmarkie kiss, no interruptions. And then.... (GASP!) sex.

Next morning, after glow, and he's out getting coffee & croissant and ... she's late!! Off she rushes to the hotel, showers and dresses and has to run to the place where the work work meeting is happening. She comes in to find the other companies doing the presentation -- the prim Brigitte (Astrid Whettnall, Winter Palace), the flamboyantly gay playboy Roberto (Sean Amsing, Love, Guaranteed; I am not sure, but I think he plays the exact same character in this also Netflix also romcom movie) and the grim and proper Otto (Flula Borg, The Rookie; apparently Flula also plays D&D), from Germany. And then, just after Sydney is about to begin her presentation -- in walks the owner's son, Henri from last night.

Awkward. Especially since he seems to know the reputation of TRG better than Sydney does, and its not good.

The owner, Hugo (Thibault de Montalembert, The Tunnel), sees the challenges before him and decides he needs more time to decide on who should take over his legacy, that all the presenters should experience what making champagne is all about, and asks them all to come to the Château Cassell proper, in a quaint French version of the PST.

The idea Hugo has is to present each person with an experience of something involved in the wine making business. Just because its December, it doesn't mean everything shuts down. They snip at vines, they rotate bottles, they get to know each other. Roberto is all about hedonistic experience and spending his daddy's money, Otto is a cliche hoping to impress German precision on Hugo's family business,  and Brigitte is a known factor and someone who has the eye of Hugo, the longtime widower as we learned on the Ferris wheel.

Sydney still wants to impress upon Hugo and Henri that she is about giving smaller businesses a chance to survive, but she doesn't know that her company has been gutting said businesses after she made the acquisitions. How she doesn't know this just says she is so very myopic. But seeing how she interacts with his father, whom she finds real affection for, softens Henri to her all over again. He even finds her cheese farts cute. 

As I have mentioned before, so many of these Hallmarkies are as much about processing grief as they are about finding love. Hugo and Henri have never really reconciled about losing Henri's mother, and are in an angry, hurting, stagnant point of their lives. Sydney herself has never let herself move on to having her own life, since her mother's passing. The three really are what each other needs the most.

In the end, after the complication where Henri overhears Sydney complying with TRG's plans to entirely destroy Château Cassell, but not her quitting the company, and he tells her to go away, and she does, Hugo gives the company to the fop, as champagne is all about celebrating life and that is all Roberto does -- party. But a bond has formed among the quartet, which says each of their strengths will be leveraged in the future of this family company.

But Sydney has run away, back to Paris, back to the bookstore to grab something before she flies home to find a new job, a new adventure when.... Henri arrives. The kind of magic concierge has redirected him there for another kiss, a sealing of a future. We end  the movie on a "one year later" Happily Ever After.

The Formulae: The movie makes use of them but in the more glitzy, glossy way that is Netflix's backing approval. The PST, all snow covered in French countryside December, is a quaint but not tiny village -- when they have the Xmas festival, the architecture is grand and sweeping and its more a rave with hundreds of attendees. We had the deadline, the signing of the deal before Xmas. We had the "smaller" Xmas fair where crepes and mulled wine are had. We had the complication, and we had rivalry, where in cheese is fed to a lactose intolerant girl (cute farts!). The less gratifying trope is where Sydney, who has worked hard to get where she is, dumps her job to stay in France with Henri, but at least it sounds like she finds alternate more gratifying work. Also, Henri doesn't have to take over his father's business, so gets to open his bookstore meets wine bar, his heart's dream. 

Unformulae: Sex! Kissing before the final scene! Not shot in Canada! Did I mentioned SEX ?

True Calling? I guess it did? There was plenty of champagne and there were plenty of problems?

The Rewind: I had to check whether the flyover of the PST was AI generated or just the usual CGI enhanced shot. I am rather sensitive this year to the coming onslaught of AI generated material which will eventually replace what stock & CG footage used to provide. Oh, and I had to stop and rewind the cute puppy chases the bunny wabbit scene, especially when they puppy stumble... but the bunny is sooooo fake looking.

The Regulars: This is off-market Hallmarkie so no, nobody has done many of this kind of movie. But I think Minka could find a life in these movies, as she adapted well to the concept.

How does it Hallmark? In this world of post-Hallmark after-market producers & distributers, but with money, it does a decent job.

How does it movie? No, of course it doesn't. But what surprises me more is that people seemed to expect it to be a proper Xmas romcom. In reading through other reviews and recaps, I was surprised at how many people lambasted it for .... well, all the reasons people watch these kinds of movies. The plots are contrived, the characters 1.1 dimensional and the lines usually incredulous. But that's to be expected. If anything, the extra money behind this did enhance to a greater degree --- the sets were utterly spectacular. And I have to shout out to Flula, who plays his German weirdo act to perfection again. And if I am being honest, I rather adored Minka in this role -- she's a beautiful woman over 40 allowed to play a beautiful woman over 40.

How Does It Snow? There was some actual laid out snow in some chase-the-cute-puppy scenes.

Monday, December 15, 2025

Toast & Kent's Xmas (2025) Advent Calendar - Day 15: The Bishop's Wife

 1948, d. Henry Koster - amazonprime


What exactly is The Bishop's Wife? Is it a romance about a love triangle? A faith-based Christmas story? An exploration of changing class and status? A comedy? A drama? 

Yes, to all of these, and yet, not really any of these at all. It's a story that doesn't quite know what it wants to be or what it wants to say, only just that it wants to say it.

Dudley (Carey Grant) is an angel who appears suddenly on the poorer side of town. He helps a blind man cross the road, stopping traffic as he does. He stops a runaway pram from getting run-over. He's a kind man with a beautiful face who knows everyone's name as if they were old acquaintances. 

He has appeared on Earth to help Bishop Henry Brougham (David Niven), whose promotion to Bishop, in no small part thanks to wealthy dowager Mrs. Hamilton, has left him sort of at her mercy. His promotion has elevated him not just in ecclesiastical status, but also social, having moved across town to a different class of parishioners. Henry's wife, Julia (Loretta Young) may have moved with him, but she hasn't left the old neighbourhood out of her heart.

Henry's key objective is the building of a new church, one which isn't going to happen on its own dime. It will take much cow-towing and conceding to the wishes and demands of Mrs. Hamilton, whose designs are to seen the new facility be a shrine to her late husband moreso than to God.

Henry has lost himself in his advancement, and Dudley is there to attempt to show him the way back, to remind him of what really matters in both life and divinity, but Henry won't go willingly. Dudley inserts himself into Henry's world as his assistant, much to the delight of the female staff about the abode, being up front with Henry about who he is and why he is there...but the Bishop just can't believe it even when Dudley shows him signs (at one point he thinks him a demon).

So the angle Dudley takes is to spend time with the Mrs. and their daughter, showing them the attention and appreciation that's been lacking from the man of the house. Dining, dancing, skating, shopping, visiting old friends and old favourite places, Dudley shows Julia the world she's been missing, the life Henry's been neglecting, and it begins to upset Henry, pride and envy. Sins!

While it should be the wake up call he needs, it's not, really. It's only through Dudley's intervention with Mrs. Hamilton that she sees the selfishness and error in her ways, instead deciding to devote her money and attention to social issues instead of vainglorious pursuits. This frees Henry into making the only choice he can, to return to his old parish, to return to the people that need him most and miss him. And it allows Dudley to depart, but not first without a proclamation to Julia, a hint towards temptation (is he a devil?) but she resists and flees to her husband. Dudley smiles, and departs, to be forgotten, as at the end of any of his jobs...it's not about glory, but about doing good, and leaving a lasting effect on the people he touched.

For a 1940's film that centres around an angel and a bishop, The Bishop's Wife, is surprisingly not a film very concerned with religion. It's oddly contemporary in the way it uses the roles and the iconography and such for its own designs without really trumpeting faith or thumping the Bible much at all. Dudley might as well be an alien helping a corporate VP lost in his promotion for all this movie really cares about Christianity, and that suits me just fine having a total lack of conviction myself.

The problem with the film is it lacks focus. It doesn't know whose point of view to tell the story from. It's not Dudley, or Julia, or Henry, nor anyone else. It's named The Bishop's Wife so you would think Julia would be at the centre of the story, but she's not really. It was Henry who called for God's help, and Dudley was sent, but Henry spends most of the movie uncuriously wishing Dudley away, and not accepting his help, guidance or lessons. The rekindling of Henry and Julia is a subtle one, no great moment of revelation so much as both of them seeing Dudley as a temptation that would get in the way of their marriage and both realizing that is not what they want.

But Dudley's "wooing" of Julia never seems in earnest. It never truly seems like Dudley is ever actually in love with her. He loves her, like he seems to love everyone, and so the moment where he leans in for the kiss feels like a test for her, not a legit moment of Dudley seeking something else for himself.

For that matter, Julia isn't much of a temptation. There's little in the role that Loretta Young is playing that gives her much agency or vibrancy or vivaciousness. Beyond being pretty, she does so little to draw Dudley to her. Never is there a moment where there is something that is convincingly alluring to an angel who seems to have legitimately seen it all (Dudley's history spans thousands of years, apparently).

And if the whole point of the movie is for Dudley to help Henry, to show him the life he's been missing, the life he should be leading, the film never effectively gives us that progression for Henry. When Henry comes around, it's seemingly not of his own volition or awareness, and there's no grand heart-swell of Henry rekindling with Julia or finding the joy of parenthood. It's way too subtle and understated, in part Niven's incredibly reserved performance, and in part a script that didn't clearly plan its path efficiently or effectively.

Cary Grant is at his most congenial in this film, and he carries it on his back far more than he should have to, given how clear the pathway is for the story to walk on its own.

Sunday, December 14, 2025

Toast & Kent's XMas (2025) Advent Calendar: Day 14 - Merry Christmas, Ted Cooper!

2025, Jason Bourne Bourque (Asteroid: Final Impact) -- download

We loved 2020's The Christmas House, not only Kent and myself, but also The Peanut Gallery gave it some begrudging smiles. For some reason, we never watched the sequel. But fuuuudge, this one was a breath of fresh air! This movie was great fun!!

The Draw: Robert Buckley is baaaack !! And along comes Kimberly Sustad.

HISstory: We start ice cold: no fly over, no production credits, just a live weather promo from a news station in Buffalo. Ted Cooper (Robert Buckley, iZombie) is the weather man but the Dick Anchor (Brendan Penny, Private Princess Christmas) keeps on calling him Tad (or has a terrible accent; couldn't tell for sure). Ted is telling us how he will be heading to his home town of Lackawanna in upstate NY to participate in the annual "Gingerbread Invitational". Its to be a bunch of cute, fluffy check-in's but apparently the viewership will come mainly from people wanting to see whatever disastrous thing happens to Ted this year. Ted, you see, has something unfortunate happen to him pretty much every Xmas. And always on-air. He trips and breaks things, he has sets fall on his head, he developed an unfortunate virus, so rare they ended up naming it Ted Cooper-itis. Dick Anchor is sooooo milking Ted's misfortune.

Roll opening credits.

We returned to the news crew's "Ted Cooper Christmas Pool" a white board covered with a bunch of unfortunate, or at least embarrassing, things that they have predicted could happen to Ted this year.


 "Kisses beautiful woman on air" is at 10,000 to 1 odds. The weirdo lady in the office has put $20 on that. Everyone else is just praying for horrible things.

Buuut they aren't wrong. It starts with Ted's car not working, forcing him to take a bus, and well, we all know how inter city buses go. You don't? Let's just say, lucky you. AND as soon as he gets off the bus, and sets his suitcase down to hug his kid sister (Meghan Heffern, When Christmas was Young), wouldn't you know it, someone grabs his, leaving its exact likeness behind. And that suitcase is full of the pink frilly things of a sorority girl. Comedy has them skip right past trying to find its rightful owner to and to Ted coming down the next morning in a pink crop top sweater, which he embraces. You see, Ted is terminally cheerful -- not toxically so, but always sees the silver lining, even through all his misfortune.

After a heart to heart with his sister heads out to put the lights on the house and ... ladder, heavy box, unconsciousness. Ted got conkered but he's OK, aaaaand lo and behold he is cared for by Dr. Hope Miller (Kimberly Sustad, Three Wise Men and a Baby), the girl from high school whom he had a crush on. Hope has been away but is back in town. Her doctor friend Sydney has taken care of Ted during past unfortunates. The charming banter between two witty adults got quite a few chuckles out of me. 

Oh, and in the lobby, he meets his retired teacher Ms Mittens (#snort) and she asks Ted if he can go get her an Xmas tree as she has a hand injury. Tree lot! Except that leads to injury number two -- a tree pokes him in the eye. Normally, this is where the hopeful couple has one of their early walking chats, but since Dr. Hope is working, this is where we get to know Ted better as he and Ms Mittens (Barbara Pollard, Good Morning Christmas!) chat it up -- the man is utterly charming! But back to the hospital.

And that means on the air, later that day, with an eye-patch (someone won something on the pool !). His eye patch is Xmas-y themed (#sillygrin). After the on-air promo, its off to get some not-pink clothing and he bumps into Ms Mittens and her matching-tracksuited walking group. Shopping Montage! And more get-to-know-Ted, who is seriously a nice likeable guy. And they bump into Dr. Hope, and of course the walking group convinces Ted and Hope to go out for some burgers & beer down the street. Beer, real beer, a dark "Xmas Ale", in a Hallmark movie (#swoon). The two get to know each other a bit more, highlighting how Ted refuses to inconvenience people and how she makes her own ramen (#SWOON).

But the night ends with Ted locking his keys & phone in his sister's car, and while trying to wedge his arm in the window, the cops show  up. Scroll up a bit and look at that whiteboard. But its alright, his sister shows up not quite to bail him out, but at least retrieve him and her car. Ted meanwhile has made friends with all the cops, because of course Ted has. 

Next Day! Ted is meeting up with Dr. Hope to get a walk-through of the hospital wing for which this "Gingerbread Invitational" is raising funds for and he meets a nice young lady who baked gingerbread cookies -- make that, peanut butter gingerbread cookies. Who puts peanut butter in their gingerbread? Luckily Dr. Hope has an epi-pen nearby. It should be pointed out that just before he ate the life threatening cookie, they were having the Dead Parent chat and ... OK, weird pivot to derailed that conversation. But that's alright as she needs to keep Ted "under close observation" and that leads to him helping her Trim Her Tree (no, not a euphemism).

Next Day! (is that another trope? that these movies, given that they happen "just before xmas" always have to obviously count down the days?) Ted's sister is baking cookies, "Is that frosting and anxiety I smell?" She is stressed over this whole fund raising event she is running. She wants Ted to invite Dr. Hope to her party, and he, um... well, he flakes. So, she invites Hope herself. Said party is an Xmas themed costumer party and Hope shows in Dickens finery while Ted is decked out in a snowman outfit. Sis has invited Hope an hour early "accidentally" giving the two more time to banter wittily, also pointing out that Ted, in the high school yearbook, quoted Gimli the dwarf from The Lord of the Rings. The party goes well, Ted stumbles over asking her on a second date and .... its to an escape room. An escape room they cannot escape from because the only staff member accidentally falls asleep and locks them in all night. 

OK, ok, let's move things along. They are scheduling another date, but first, another promo for Xmas Event. Ted's sister has the car, not that she would trust him with it again, so he takes a ride share -- in a party limo, where... well, Ted leaves his phone. The same phone Hope tries to call later and gets a stag-do (i.e. strange drunk lady) giving us our expected COMPLICATION ! Hope is hurt that a woman answered his phone, so she leaves. Ted arrives, in his sister's car again, but Hope is gone and the note he leaves does stay stuck long. They do not connect. Ted is hurt.

The Next Day. Ted is still trying to call her, on his sister's phone, but she has to leave, for the Xmas Event, with her phone, with her car. He walks to town where he runs into the walking group (Sole Sisters #GROAN) and they have a matching outfit for him! Meanwhile, Ed the guy who was driving the party limo has found Ted's phone and used it to call Hope (Ted's phone is that easily unlocked?) and she realizes she has made a horrible mistake, which is something she let herself do far too easily. Ted shows up, she's upset that she got upset and ... well, Ted isn't upset. As Ms. Mittens said, "Its a classic misunderstanding." Hope doesn't like that Ted is not upset. She thinks Ted never gets upset, that he just lets the world walk all over him. They are having a real conversation about feelings and personalities and ... well, it doesn't go well. She basically accuses Ted of being shallow and then walks away.

Later, finally getting to the Gingerbread Invitational. Hope's not going, Ted's congratulating his sister for meeting her funding goals and Dr. Sydney is yelling at Dr. Hope for finding fault with Ted. I mean, she has a point, but to dump him over something so trivial? Maybe she's right and she's looking for any reason, but as Syd points out, he's the first person to make her smile in forever. Go after him girl! And she puts on a nice red dress (!!!) and shows up for his on-air promo where they have their proper heart 2 heart and make up and KISS. On-air. Weirdo Lady at Ted's station is going to win a TON of money from Dick Anchor. Happy Ending!

The Formulae: Its not trying to adhere strictly, so while there is a Big City (is Buffalo all that big?) and a smaller community, I am not sure Lackawanna is a PST, just a suburb. But we do get the tree lot and baking cookies and decorating a tree and a time-based Xmas Event (fund raising!) and we GET A RED DRESS !!

Unformulae: The humour. It was genuine and actually funny.

True Calling? Yes, it really does.

The Rewind: It was that whiteboard, because, of course it was. I had to rewind, pause and chuckle at the fun of it all. His coworkers are mean. No wonder he wants out.

The Regulars: Sustad is Hallmarkie Royalty. As mentioned Buckley has done a few and I hope he keeps doing more, like actually producing & writing more, like he did with this one. Meghan Heffern has done a few. Barbara Pollar has done quite and few and is part of the familiar face stable of Vancouver actors. Brendan Penny has also done quite a few, considering his bit part here. 

How does it Hallmark? Pretty darn well. The chemistry between the two was genuine and sweet and, as I rewatched in 10x speed, to assist in writing this, I saw so many subtle expressions on their faces. It worked so well for me, not even requiring me to soften on the less-trope nature.

How does it movie? You know, it kind of does. There are so many uncharacteristically Hallmarkie funny moments in this movie, things that made me smile and chuckle and just feel good. Ted and his sister constantly yell at each other, but with only love. Ted and Hope make fun little quips that are not the usual cringe of Hallmarkies. 

How Does It Snow?  There is some hockey rink shavings but mostly cotton batting.