Yes, the orange tunic does make an appearance. |
James Wan didn't seem to know what kind of film he wanted to make this, so he just tried to make this all of them. Action, adventure, superhero, drama, comedy, science fiction, fantasy, romance, giant monster, horror... at some point he steers through all of them with absolute conviction, if little coherence. Part Indiana Jones, part Star Wars, part Excalibur and beyond, it's genre whiplash even if the glib and balls-to-the-wall tone sort of persist throughout. There's an energy to it all, and a conviction from the people involved, that make the sum of its parts equal "good enough".
Yes, it really did seem like Willem Dafoe gave a crap. |
Yes, that is Nicole Kidman looking amazing as a fish lady and kicking ass while doing it |
The score from Rupert Gregson-Williams is as all over the map as the film itself, and in more assured hands could have aided the tonal consistency of the film rather than accentuating its incongruities. The composer uses a lot of 80's synth sounds throughout juxtaposing against traditional orchestral (and some of that guitar riffing which the DC cinematic universe is strangely keen on) and it winds up invokinga heavier sci-fi feel than the script really demanded. The consistency of the film would have been helped by a more assured hand. That said, it is these synth elements that stand out and are the most appealing aspects of the score, they're just incongruous to the overall narrative design.
Yes, Dolph Lundgren is riding an armored sea horse. This movie really is bonkers. |
The supporting cast is quite stellar and surprisingly committed to this utterly bizarre production (riding giant seahorses or sharks and a lot of floating about or fighting with giant crab-men), with Wilson, Willem Dafoe, Dolph Lundgren and Nicole Kidman delivering earnest and likeable performances. Their acting chops give the film a needed gravity that Momoa and Amber Heard just aren't quite capable of. The two leads seem to be starring in a goofier B-movie to the rest of the cast's A-list blockbuster. It's unfortunate, since both are quite likeable, but at times it seems painfully obvious that they are thinking about acting and not so in the moment.
Aquaman isn't a good movie, but it's not a bad one either, it sort of transcends these labels through sheer enthusiasm. It's a really weird, massive experiment with a playfulness that had me smiling broadly more often than not. I did notice a walkout at the end of the first act, which I totally get. This isn't going to appeal to a lot of people, but if you're in for seeing stuff you've never seen before on screen, this definitely has that.
Yes, they actually did Black Manta comics- accurate. Amazeballs. |
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