This blog is as much about blogging as it is about movies and other aspects of pop culture, especially when it basically has an audience of one (me) or maybe two, when Kent isn't tearing down walls or raising up puppies.
I guess that makes it also as much about
writing as it is about the other topics, because we hit 1000 published posts, have been around for eight years or so, but I don't believe I have improved. And I have been thinking a lot about writing of late, having moved from my notebooks full of vignettes (flash fiction?) to an actual intent on completing
something whether it be short story or novella or even great white whale novels. And since this is my
usual outlet, that aspect of my writerly brain seeps in. That is the obtuse way of explaining the man on the bicycle posts here and there -- a brief and odd attempt to reboot my creative brain, because if I am not improving then I am at least changing.
ReWatches may seem lazy. But to me, the blog is more about consuming pop culture than it is writing movie reviews. And sometimes consuming means absorbing what you already like (The Shelf) or just watching something easy, because fully paying attention is a challenge. I took to these two movies mainly because in today's Age of Trump, we need to be reminded that there are still those out there that still revere the Presidency and the White House.
Think about it. We are in an era where the entire world is watching the USA and the buffoon in charge, and not with a fond glance but more with the gaze at a car wreck. No longer is he the "Leader of the Free World", no longer can even the American people look to their leader with misplaced adoration and even possible worship. Both of these movies take the topic of an attack not only on American soil, but a brazen attack on a symbol of her power -- the President in his own house. Can that even be taken seriously these days?
I saw
Olympus has Fallen when it came out, and I admit I am still surprised I really like Antoine Fuqua's movies. They are middle of the road actioners, but they are straight forward Heroic Movies. His heroes are classically damaged but once the movie begins, they are unfettered and just get the job done. The protagonist & plot is straight forward but the movie affected me in ways I didn't expect. The casualty rate was so high, so blatant and spread across the innocent victim range, it staggered me. That didn't change in second viewing.
Conversely,
White House Down contains its mayhem. The former was all about us really REALLY hating on the bad guys because of what we saw them do, while the latter has us frowning at the baddies for daring to touch their precious White House. This movie really worships the palace of the American royalty, even giving us a vehicle to experience this adoration, with Channing Tatum's daughter desperate to see inside the walls, and because she does. Interesting that while the former movie's main focus is having ex-Secret Service Banning desperate to rescue his friend and President, Tatum is more concerned with rescuing his daughter. Comment on family over duty?
Some side characters of note. Both movies have pretty, young, brunette background characters who get to die tragically during one of the plots misdirections. They are accessible, attractive and sympathetic characters, the girls next door whom we can mourn. Meanwhile, both movies also have an inside man, a character originally presented as one of the inner circle but whom betrays them for personal reasons or gain. James Woods plays the disgruntled head of the Secret Service who hates his soft, black President. I like that he pretty much played himself, based on what we know about him IRL these days.
Jamie Foxx is obviously playing the Obama analog, and the motivation behind the attack is basically the MAGA elite deciding to take him down. It has a chilling comment on current USA with maybe them realising the best way to take down the government was from within? Meanwhile, Aaron Eckart is the idealized white President, more than a little naive as to what his government actually represents. Or maybe, just maybe, he is from that alternate reality where they really, truly are a force of Good in the world.
So, we come to these movies with Hero Worship, directed at the President and the people who will risk anything to protect them. Compare this to the current culture where the people who would apply the same fervour would be considered absolute wingnuts. The white men in these movies, the ones who we call the Bad Guys, are more reflective of current American presidential culture. I don't know about you, but I find this rather chilling.
