2021, Ubisoft
This was a replay, as the last one was. Sometimes I just want to shoot bad guys...Unlike all the previous games in this serious, you are not given the choice -- the Bad Guy is a monster and you acknowledge it down to the last second. But, you also have to acknowledge that you also are one. But isn't every main character in video games that has to slay hundreds if not thousands of people?
The island of Yara, Cuba analog but with a Spanish-background dictator ala the Reagan era action movies in tropical places. He is the son of the last dictator deposed in the 60s revolution. A few years before the game takes place, the son Antón Castillo is democratically elected and soon after, his Yara becomes more like the one his father ran: a rift between the Outcasts and the True Yarans, disappearances, conscripted work in the country's tobacco fields, an overreaching military present in all aspects of life, etc, etc, You are Dani Rohas ("fútbol is life") who are initially trying to escape the island but watch Castillo kill everyone onboard the boat, except his own 13 year old son who was trying to escape as well.
Dani is now forced into a role in the revolution. They (you can play either gender) are themselves ex-Castillo military, an antisocial natural killer who was ousted for assaulting an officer. They are the perfect pawn for the leader of the revolution -- Clara Garcia, and her supporter, Juan Cortez, a classic Far Cry sociopath trained by the Americans and sporting a manifesto on how revolutions are to be fought. And a knack for kludge-ing together fantastical weapons. Dani is tasked with meeting and uniting three diverse factions of anti-Castillo forces, because only united under Clara can Yara hope to be free.
The tropes of the franchise are present. Castillo has invented Viviro, a wonder drug, said to all but halt cancer. He intends to sell it to the world, so Yara can enter the First World as a saviour. The drug is "grown" in Yaran tobacco, which is fumigated with a bright red gas that encourages the Viviro to form within the plant. The gas is also a poison and a hallucinogen. Castillo conscripts people to work his fields.
The islands are covered with military bases and outposts, which you are expected to liberate and bring to the revolutionary cause. They are also littered with poverty stricken villages and the dead his soldiers leave behind as they intimidate, murder and torture indiscriminately.
As you progress your legend grows, one of skilled and ruthless killing and more than once you are called out for being as much a monster as Castillo. You don't deny it. But you are not heartless, for a number of key points in the story, you are presented with chances to kill Castillo's son, but you don't. He is only a boy, and still has a chance to learn right from wrong, to not become his father, and not become you.
Castillo is a classic dictator, convinced he is doing the best thing possible for his country despite racking up countless dead as he strives for "progress". His propaganda machine is everywhere, his speeches constantly play from speakers and radios. His key allies are his psychotic generals, scientists, public security minister, PR manager, and an amoral "yanqui" investor, a Trump analog who happens to be Canadian.
Of course, the game is beautiful. The tropical island, with a number of ecosystems, is lush and vibrant, full of animals (which you can hunt for resources) but it is also decrepit and shows its poverty stricken state. The radio is playing a wide variety of Latino music, from Mexican traditionals, to Cuban rap, to folk songs, Caribbean dance music, to Ricky Martin, Camila Cabello and Pitbull. You can listen here. By mid-way, I was humming along, while my character would actually sing along to the radio.
Unlike previous games, you know there is no point to thinking Castillo might have a point. Oh sure, he might have a cancer wonder drug, but you know these games, you know their misdirection, you know he is playing a shell game, and while it delayed his own cancer, by the end of the, the ravages show on his face. Not even he can lie about his own failures. He leaves only ruin, and death, and thousands of dead bodies at your hands.
Why do I play these? Because I like action movies, I have nostalgic recollections of the simplistic plots of the 80s, and sometimes, after a rough day at work, I just need to shoot someone.
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