Hollows Grove, 2014, Craig Efros -- download
OK, the premise caught me. I have already said how much I hate the actual ghost hunting TV shows (are they still on the air?) but Marmy likes them, so we have seen a few movies with them as the centre. But each movie version has always been from the point of view that they are legit, that they consider themselves real ghost hunters and are still seeking true evidence. But this one took a tact I liked, that they were just a TV show and were just at another location with a rep, building enough material from which to fake the episode with. And a friend is making a short doc on their show, so he is the camera watching the camera folk. That he would catch them faking their show seems against their best interest seems beside the point, but whatever, small budget movie -- script editing is last.
Mundane. Some good scares, some decent effects but mundane yawn boring. Ghosts, possessions, poltergeisting, etc. And the dumbest wrapper I have seen in years, with some droll FBI agent going on about how his team found the footage. Can't do a found footage movie without explaining how the footage was found. And they have other evidence, which is just an excuse for a final jump scare.
NEXT !
Detention, 2011, Joseph Kahn (Torque) -- Netflix
Detention is that movie on Netflix with the weird Deathnote-ish poster which stars John Hutcherson, the "popular" love interest for the main character, you know, the guy known only for his role as Katniss's other love interest. His name is Clapton Davis, which should have been my first cue to turn this trash off. But it has a time travelling magnetic stuffed bear connected to aliens. And it also has a time travelling body-swap between a girl and her mother, in the 90s. Yes, the 90s are now the distant past. I am so old. And it has a stylistic opening credit sequence that gets boring after credit entry three. And it has a movie based slasher killer who is trying to kill the high school kids. Either this movie is actually actually (two intended) popular with the "Twitter generation" or it is an old man's (Kahn's only 44) idea of what would be popular with today's low attention span, multi media, mashup culture. I don't know, too old went to bed.
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