2019 - Adult Swim (5 episodes)
Rick and Morty came out of the gate fully formed. Going back
to the earliest episodes of the series, the characters are already
willed into being and the structure of the show is already in place.
Few shows come out so self assured. Community is the first show
at the top of my mind where the pilot seemed to know exactly what it
wanted to be, and largely who the characters were. Of course the
through-line here is creator Dan Harmon who seems to be able to fraction
of his complex personality into distinct character units, and then
build them up into unique and complex individuals that extend beyond
him. The characters start fully realized, and grow and evolve from
there.
There have been 3 really terrific seasons of Rick and Morty
so far, becoming a series resonating strongly and passionately among
it's 19-49 year-old demographic. It's a show that satirizes pop culture
tropes frequently -- often critically, sometimes savagely, usually
insightfully -- but its best moments are always those that dwell on the
characters and the impact the events of the show have on them. There's
not really a dud episode in the run so far, though some clearly stand
out more than others.
Season 4 is disappointing in that
it only delivers five new episodes out of its remaining 70 episodes
ordered by the Cartoon Network. But, all five episodes are superb for
extremely unique reasons.
"Edge of Tomorty: Rick Die
Repeat" finds a space crystal embedded in Morty's head granting him
ultimate foresight, with Rick both envying Morty's power while also
struggling to free him from the cage such power brings. It's reflective
of Morty's usual helplessness that he traditionally finds himself in
that he embraces the crystal...but he also embraces it for such
shortsighted reasons, being the vision of Jessica caring for him on his
death bed. Morty's unhealthy fixation on Jessica is such a teenage boy
thing, but that toxic fixation is something that the show needs to
clearly going to deal with at some point but is taking its time getting
there. In the meantime, we often see how this toxic fixation leads to
Morty making some really bad decisions.
"The Old Man
and the Seat" has two very silly threads, one about an alien-created
matchmaking app (Harmon's insight into dating app culture here is as
biting as his social media app culture commentary in Community's
"Meow-Meow-Beenz" episode) and the other about Rick's most epic and
exclusive pooping area which is discovered by an interloper. Both
threads, though, end up highlighting feelings of loneliness and
isolation in very different ways, with Rick's pooping saga being
surprisingly effective.
"One Crew Over The Crewcoo's
Morty" screams Dan Harmon from moment one (even though these episodes
each have credited writers, Harmon's showrunner status looms large, and
from the sounds of things he was even more involved with this season
than he was previously). Clearly Harmon, with Rick as his avatar,
needed to express his utter distaste for the "heist movie" formulae, and
this absolutely hilarious episode is a non-stop piss-taking on the
genre. So effective it is, that I'm not sure I'll ever be able to enjoy
a heist movie ever again.
"Claw and Hoarder: Special
Ricktims Morty" finds Morty demanding, and getting, a pet dragon. This
is a very potent and uncomfortable episode. It's an extremely weird
examination of how we deal with pets as property, how we may or may not
bond with them, and how "ownership" of another living being is just
weird. Plus, poking at so many fantasy tropes. And then it gets
cerebral-sexual, which is really, really, really off-putting. This is
the show at its most provocative and twisted. It is literally hard to
watch. I'm not sure if it's successful at what it really wants to say
but it's certainly memorable. Jerry's b-plot about the talking cat is
total goofballs.
The final episode, though, is its
masterstroke. "Rattlestar Ricklactica" finds Rick and Morty
accidentally killing a snake astronaut from an earth-like planet, but
where snakes are the dominant species. Rick and Morty replace the
astronaut with an earth snake and the impact upon this other-earth
society is monumental. A 9-minute montage of this evolution is the
brilliant result. It's entirely wordless (only snake-speak and
snake-jazz is heard along the way). This all culminates in
Terminator-like time-jumping from multiple parties to try and correct
the mistakes only to devolve into ultimate chaos. Rick and Morty
is always at its best when ultimate chaos ensues. Of all the
wonderfully conceptual things the show has introduced, from Mr. Meeseeks
("look at me!") to Pickle Rick, I think snake-jazz may just be my
favourite.
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